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アイテム
救済に資する力として--美学と技術重視の世界観
https://meilib.repo.nii.ac.jp/records/146
https://meilib.repo.nii.ac.jp/records/146edde7eb2-2714-4229-8de4-f001dc353675
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-10-29 | |||||
タイトル | ||||||
タイトル | 救済に資する力として--美学と技術重視の世界観 | |||||
タイトル | ||||||
タイトル | The Saving Power: Aesthetics and the Technological Worldview | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
アクセス権 | ||||||
アクセス権 | metadata only access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_14cb | |||||
著者 |
Greenfield, Jerry
× Greenfield, Jerry |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The philosopher Martin Heidegger’s inquiry into the fundamental nature of technology discovered that in treating everything in the world as a resource to be exploited, technology is a deeply rooted and pervasive worldview that threatens to block out any other way of knowing things, including even ourselves. But Heidegger holds out the hope that reflecting on art as a contrasting way of knowing can rescue us from this danger. Art, while involving technology in its creation, begins with seeing things in a non-technological perspective, The contrast between technology and art as ways of revealing helps to explain the significance of surrealist art and of ready-mades such as Fountain by Duchamp. The intersection of the two modes is especially characteristic of photography as exemplified in the work of Ansel Adams and Minor White. Courses that include aesthetics as reflection on art and its relation to technology are needed in the liberal arts curriculum to counterbalance a dominant orientation of the curriculum towards the technological worldview. | |||||
書誌情報 |
比較文化 en : Comparative culture,the journal of Miyazaki International College 巻 10, p. 49-62, 発行日 2004 |
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出版者 | ||||||
出版者 | 宮崎国際大学 | |||||
出版者 | ||||||
出版者 | Miyazaki International College |