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  1. 著者
  2. 宮崎国際大学
  3. N
  4. Narayanan, Mundoli
  1. 宮崎国際大学
  2. <国際教養学部> 紀要 比較文化 ISSN 2432-2903
  3. 2005 第11巻

独占から開放へ--変化するクーディヤータムの状況

https://meilib.repo.nii.ac.jp/records/134
https://meilib.repo.nii.ac.jp/records/134
996f86bf-27a2-4d14-b95f-70adbf74f124
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2012-10-29
タイトル
タイトル 独占から開放へ--変化するクーディヤータムの状況
タイトル
タイトル From Exclusivity to Exposure: The Changing Circumstances of Kutiyattam
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
アクセス権
アクセス権 metadata only access
アクセス権URI http://purl.org/coar/access_right/c_14cb
著者 Narayanan, Mundoli

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Narayanan, Mundoli

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内容記述タイプ Abstract
内容記述 Kutiyattam, the only surviving form of Sanskrit theatre, has a recorded history of more than ten centuries and is easily the oldest existing performance form in India. Intrinsically related to a complex system of patronage, a direct offshoot of a traditional society based on caste hierarchy, Kutiyattam had been strictly confined to k?ttampalams, the temple theatres of Kerala, the southwestern state of India. Strict features of exclusivity have determined the processes of training, performance and reception through most of its history and have played a major part in its preservation. However, the gradual weakening of temple establishments in the last five decades has led to the formation of other systems of institutional and social patronage. At the same time, the concerted attempts to secularise and modernise the form have resulted in a number of transformations in its different aspects. This paper traces the traditional systems of patronage, performance and features of exclusivity of Kutiyattam, its contemporary changing circumstances, their impact on specific facets of performance, and their implications for the general nature of the form.
書誌情報 比較文化
en : Comparative culture,the journal of Miyazaki International College

巻 11, p. 31-46, 発行日 2005
出版者
出版者 宮崎国際大学
出版者
出版者 Miyazaki International College
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