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Writing From Wilderness: On the Use and Extension of Keats’ “Negative Capability in the Poetics of William Stafford
https://meilib.repo.nii.ac.jp/records/128
https://meilib.repo.nii.ac.jp/records/1285f40ef9b-0c93-4e32-8514-aa0d49445eb5
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-09-06 | |||||
タイトル | ||||||
タイトル | Writing From Wilderness: On the Use and Extension of Keats’ “Negative Capability in the Poetics of William Stafford | |||||
タイトル | ||||||
タイトル | Writing From Wilderness: On the Use and Extension of Keats’ “Negative Capability in the Poetics of William Stafford | |||||
言語 | en | |||||
言語 | ||||||
言語 | eng | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | John Keats | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Negative Capability | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | poetics | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | William Stafford | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | wilderness | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | John Keats | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Negative Capability | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | poetics | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | William Stafford | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | wilderness | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
Dunne, Gregory
× Dunne, Gregory |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | John Keats coined the phrase “Negative Capability” in a letter to his brother in 1817 when he spoke of a particular “quality” that went into forming a “Man of Achievement” in literature. He define this quality as akin to a state of mind “when a man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason – .” Generally, the term has been understood to refer to a capability utilized by the poet in the early stages of composition. This understanding of the term may owe its origins to Keats' commentary on Coleridge's inability to remain in “mystery” and “half knowledge” in the early phases of composition: “Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half knowledge.” The poetics of William Stafford draw upon the theory of Keats and extend it beyond the early stage of writing. This paper examines how Stafford uses the theory of Keats – how he elaborates upon it to – and reaches a fully articulation of its implications. |
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書誌情報 |
比較文化 en : Comparative culture,the journal of Miyazaki International College 巻 16, p. 164-175, 発行日 2011 |