{"created":"2023-06-28T15:15:38.444306+00:00","id":418,"links":{},"metadata":{"_buckets":{"deposit":"bf5c86f8-b8a0-4fc1-b57e-1d6a8f0a5b96"},"_deposit":{"created_by":16,"id":"418","owners":[16],"pid":{"revision_id":0,"type":"depid","value":"418"},"status":"published"},"_oai":{"id":"oai:meilib.repo.nii.ac.jp:00000418","sets":["25:26:234:250","7:8:112"]},"author_link":["905"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"1996","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"63","bibliographicPageStart":"57","bibliographicVolumeNumber":"2","bibliographic_titles":[{"bibliographic_title":"比較文化"},{"bibliographic_title":"Comparative culture, the journal of Miyazaki International College","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"This article explores the term \"borrowed scenery,\" a descriptive phrase in Japanese landscape gardening, in order to describe the work George Sugarman and Shin'ichi Okada have done for the new Miyazaki Prefecture Cultural Park, dedicated in 1995. The American sculptor, Sugarman, is introduced, and the circumstances of the siting of his sculpture in relation to the work of architect Okada are discussed.","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"宮崎国際大学"},{"subitem_publisher":"Miyazaki International College"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Meyer, Ruth K."}],"nameIdentifiers":[{"nameIdentifier":"905","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-02-22"}],"displaytype":"detail","filename":"mic.journal.1996.8meyer.pdf","filesize":[{"value":"920.6 kB"}],"format":"text/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"mic.journal.1996.8meyer","url":"https://meilib.repo.nii.ac.jp/record/418/files/mic.journal.1996.8meyer.pdf"},"version_id":"8bc8a9b4-8e65-4aab-967d-46a25cda74f0"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"宮崎のイメージ : ジョージ・シュガーマンと岡田新一両氏の美術的貢献","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"宮崎のイメージ : ジョージ・シュガーマンと岡田新一両氏の美術的貢献"},{"subitem_title":"Images of Miyazaki: The Artistic Contributions of George Sugareman and Shinichi Okada","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"16","path":["112","250"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-02-22"},"publish_date":"2013-02-22","publish_status":"0","recid":"418","relation_version_is_last":true,"title":["宮崎のイメージ : ジョージ・シュガーマンと岡田新一両氏の美術的貢献"],"weko_creator_id":"16","weko_shared_id":-1},"updated":"2023-06-28T15:32:53.984042+00:00"}